This, in effect, made them the first independent record producers. Leiber had hated the song, but Stoller had thought there was something to it, and had worked on the session. Atlantic Records had another group, the Drifters, and Leiber and Stoller began to produce songs for them using the same formula that had worked so well for the Coasters. They took us over to Atlantic recording, who had a brand newfangled machine, an 8-track machine. ... Leiber and Stoller where. Working primarily for Atlantic Records, the duo of Jerry Leiber and Mike Stoller was perhaps the most successful songwriting and producing team of the 1950s. In 1957, after two of the Robins left Spark to form the Coasters on Atlantic, Leiber and Stoller’s “Searchin’ ” and “Young Blood” became a huge two-sided hit for the label. 2001).At issue is the district court's order forcing Napster to disable its file transferring service until certain conditions are met to achieve full compliance with the modified preliminary injunction. The Righteous Brothers. After a string of similarly gutsy, groundbreaking records, Atlantic Records bought their Spark label and signed Leiber and Stoller to one of the industry’s first independent production deals. delivery of a powerful expression of love all contribute to the magnificent whole. But they probably had their greatest success on Atlantic. The Premier Atlantic Record Family of Labels. Leiber had breathed it in from the black households in Baltimore to which he had delivered kerosene and coal from his mom's grocery store. This disc of 24 gems, ranging from 1956 to 1962, offers a mix of classic hits, lost gems and surprising cover versions. They bonded over 12-bar blues and had almost immediate success writing for black artists. 9" (the Clovers), "Kansas City" (Wilbert Harrison), "On Broadway" (the Drifters), "Ruby Baby" (Dion) and "Stand By Me" (Ben E. King). Beginning in the mid-’50s after they had started working for Atlantic Records, the duo branched out and became more pop-oriented.Among other artists, they wrote a number of songs for The Drifters and The Coasters.Here’s Ruby Baby, a great soulful, groovy, doo-wop tune from 1956. The label was later bought by Atlantic Records, which hired Leiber and Stoller in an innovative deal that allowed them to produce for other labels. Mike Stoller and Jerry Leiber "Jerry Leiber and Mike Stoller have written some of the most spirited and enduring rock and roll songs: "Hound Dog" (originally cut by Big Mama Thornton in 1953 and covered by Elvis Presley three years later), "Love Potion No. In 1955, this record company signed Leiber and Stoller to the first independent production deal. After school, Stoller played piano and Leiber worked in Norty's, a record store on Fairfax Avenue, and when they met, they found they shared a love of blues and rhythm and blues. ... Jerry Wexler, Atlantic Records A&R man, coined the term "rock and roll" False "Crazy Man Crazy" (1953) was the first big hit of Elvis Presley ... Leiber and Stoller produced records for … Show Me the Way . 02:16 Tekst: Carole King - Gerald Goffin. Among their hits are “Hound Dog,” the novelty story-song “Yakety Yak”; “Stand by Me”; and numerous hits for Elvis Presley, including “Jailhouse Rock” and “Love Me.” The pair was inducted into the Rock and Roll Hall of The duo was a fan of the group, as was Atlantic Records, who offered Leiber and Stoller an independent production contract to produce The Robins. Jerry Leiber & Mike Stoller. Leiber and Stoller would also get their writers’ royalty. Rock 'n' Roll songwriters Jerry Leiber and Mike Stoller along with music executives Lester Sill, Jerry Wexler and Ahmet Ertegun, founder of Atlantic Records… The label was later bought by Atlantic Records, which hired Leiber and Stoller in an innovative deal that allowed them to produce for other labels. (Mogol, Donida, Leiber & Stoller) Ben E. King, vocal; Orchestra, including strings, arranged and conducted by Klaus Ogerman. Cover is identical to stereo pressing which lists both the mono and stereo catalogue numbers. They produced hugely influential hits by Jay and the Americans ("She Cried")… This one is credited as a Leiber and Stoller production, but Leiber freely admitted that he had nothing to do with a record he loathed. He expressed regret that he'd heard several Spark Records "hit songs that weren't hits." Photos: Top: Jerry Leiber, left, and Mike Stoller (Credit: David Attie/Reuters). Phil sued to void his contract with Leiber & Stoller. That turned out to be quite a co-incidence. They had at their disposal in the Brill Building some of the finest artists, musicians, songwriters and recording engineers in … The Coasters grew out of a successful Los Angeles doo wop group called the Robins, which had been recording since 1949 and working with Leiber & Stoller since 1953. The following year, Leiber and Stoller began Spark Records (distributed by Atlantic Records), on which the Robins recorded. This, in effect, made them the first independent record producers. The brother of Atlantic Records owner Ahmet Ertegun, Nesuhi Ertegun, was March 13, 1933, Belle Harbor, New York, U.S.), working primarily for Atlantic Records, were perhaps the most successful… Read More; Atlantic Records If You Need Me – Solomon Burke 2:25 (Pickett, Bateman & Sanders) The Coasters grew out of a successful Los Angeles doo wop group called the Robins, which had been recording since 1949 and working with Leiber & Stoller since 1953. The brothers were fans of jazz and rhythm & blues, amassing a collection of over 15,000 78 RPM records. These singles would ultimately stall on the charts. 2001).At issue is the district court's order forcing Napster to disable its file transferring service until certain conditions are met to achieve full compliance with the modified preliminary injunction. 04. Ahmet ostensibly stayed in Washington to undertake post-graduate music studies at Georgetown Universitybut immersed himself in the Washington music scene and entered the record business, whic… Leiber had hated the song, but Stoller had thought there was something to it, and had worked on the session. The first was Leiber’s eyes – one was blue, one was brown. ... Australian Pressing Made in Australia by Festival Records. Leiber and Stoller moved to New York City and set up an office in what was known as the Brill Building, which was actually a group of buildings along Broadway that served as the epicenter of the pop music business in the 50's and 60's. After Leiber and Stoller became independent producers for Atlantic Records, they tried to bring the Robins with them, but part of the group decided to stay with their manager. An asterisk (*) indicates a song written or cowritten by Jerry Leiber and/or Mike Stoller. Nesuhi met Leiber and Stoller and introduced them to his brother Ahmet and other Atlantic executives. CATALOG #: K99098. Stoller grew … James Brown was titled _____ and he called himself ____ The Godfather of soul and he called himself the hardest working man in show business. Don't Play That Song. Spark Records / Quintet Music Inc. (Leiber and Stoller, The Coasters) In 1950 Sill met Jerry Leiber in the L.A. record shop called Norty’s Music Center where the aspiring lyricist worked as a retail clerk and suggested he find a partner who could read and write music, spurring the beginning of Leiber's collaboration with Mike Stoller. Middle: Leiber and Stoller (from left, seated at the piano), along with music executives Lester Sill, Jerry Wexler and Ahmet Ertegun, founder of Atlantic Records, and the singing group the Coasters (Credit: Leiber and Stoller Archives). The contract was voided but the friendship between Spector, Leiber and Stoller did not end. Atlantic Records producer Jerry Wexler, writing in his 1993 autobiography, described Leiber as “Mr. August 22, 2011, 1:15 PM. all involved with Atlantic Records. The record was popular enough for Atlantic Records to offer Leiber and Stoller an independent production contract to produce the Robins for Atlantic. Photo of Mike Stoller, left, Elvis Presley and Jerry Leiber at MGM Studios in Culver City in … Leiber and Stoller were still in their teens when they started working with some of the pioneers of rock and roll, writing such hits as "Hound Dog," which eventually became a #1 record for Elvis Presley. Leiber and Stoller now felt New York-ier. Needless to say, he made sure Leiber & Stoller kept working with the Drifters. With most records on Red Bird, there is more than a little disagreement as to who did what. The Coasters grew out of a successful Los Angeles doo wop group called the Robins, which had been recording since 1949 and working with Leiber & Stoller since 1953. Atlantic's Jerry Wexler, upon first hearing "There Goes My Baby," hated it, calling it "an exercise in cacophony," and was stunned when it soared to the top spot on the R&B charts in 1959. Jerry Leiber (in full Jerome Leiber; b. April 25, 1933, Baltimore, Maryland, U.S.—d. Mike Stoller and Jerry Leiber first joined forces in 1950 when they were just 17 years old and were signed to Atlantic Records in 1955 after their work caught the labels Attention Leiber and Stoller wrote songs together for more than 60 years until Cherry's passing in 2011. they received numerous awards and honors for their work and in 1985 were inducted into the Songwriters Hall of Fame and in … Their songs from this period include “Smokey Joe’s Cafe” and “Riot in Cell Block #9,” both recorded by The Robins. The label was later bought by Atlantic Records, which hired Leiber and Stoller in an innovative deal that allowed them to produce for other labels. At this time, Spector began doing freelance work for Atlantic records where he continued to work with Leiber & Stoller, Ahmet Ertegun, Tom Dowd and Jerry Wexler. March 13, 1933, Belle Harbor, New York, U.S.), working primarily for Atlantic Records, were perhaps the most successful writers and producers of the 1950s. This record, and others written and produced by them, caught the attention of Atlantic Records. Atlantic Records executives, Ahmet Ertegun and Jerry Wexler among them, were impressed, and in 1955 signed Leiber and Stoller to the first independent production deal, forever changing the course of production in the record industry. a songwriting team of both rock and soul music. Their 1955 hit recording of Jerry Leiber’s and Mike Stoller’s “Smokey Joe’s Cafe” led to a contract with Atlantic Records in New York. In 1955 Atco Records was started by Herb Abramson as a cooperation base with songwriters/producers Jerry Leiber and Mike Stoller. Other key Leiber/Stoller hits are present: the Clovers' Love Potion No. 9" (the Clovers), "Kansas City" (Wilbert Harrison), "On Broadway" (the Drifters), "Ruby Baby" (Dion) and "Stand By Me" (Ben E. King). Jerry Wexler. I remember it became a hit in Florida. This one is credited as a Leiber and Stoller production, but Leiber freely admitted that he had nothing to do with a record he loathed. The Ronettes. When it came to Jerry Leiber and Mike Stoller – it didn’t really matter what building they may have been composing in. Mike Stoller noticed two things about Jerry Leiber when the latter knocked at Stoller’s door in Los Angeles one afternoon in 1950. In 1944, brothers Nesuhi and Ahmet Ertegun remained in the United States when their mother and sister returned to Turkey after the death of their father Munir Ertegun, Turkey's first ambassador to the U.S. Recorded in New York, February 11, 1963 13. Ahmet Ertegun: His Atlantic Records shaped pop music. Citation This, in effect, made them the first independent record producers. The pair's success was noted by Atlantic Records in New York and they dropped Spark Records and accepted a writing and production deal. After Leiber and Stoller became independent producers for Atlantic Records, they tried to bring the Robins with them, but part of the group decided to stay with their manager. Jerry Wexler, 91: influential music producer coined 'rhythm and blues'--Randy Lewis. 11. Around this time their former partner, Lester Sill, sent a young record producer with whom he had begun working on the West Coast to New York and put him in touch with Leiber and Stoller. His name was Phil Spector, and when he arrived initially he moved into their office and slept on a couch there at night. Jerry Leiber and his songwriting partner, Mike Stoller, created a songbook that infused the rock 'n' roll scene of the 1950s and early '60s with energy and humor. The Leiber & Stoller Story, … Atlantic would record, release and promote their records for which they would be paid a royalty. The record was popular enough for Atlantic Records to offer Leiber and Stoller an independent production contract to produce the Robins for Atlantic. Spark Records Last updated February 23, 2019. Stoller, a Long Island, N.Y., native, had fallen in love with boogie-woogie piano at an interracial summer camp. Leiber and Stoller's time under contract to Atlantic Records in the Fifties and Sixties was one of the most fruitful passages of their career but also one of the most fractious. Leiber and Stoller operated as independent producers for Atlantic, so they were free to make made records for other labels in addition to Atlantic. delivery of a powerful expression of love all contribute to the magnificent whole. After hitting with "Hound Dog" (recorded first by Big Mama Thornton, then by Elvis), the team signed with Atlantic Records and began writing for groups such as the Coasters and the Drifters. Unfortunately, only two members of the group were willing to make the jump to Atlantic, so Leiber and Stoller promptly replaced them and then went ahead and sealed the deal. The Coasters. For the next ten years the songwriting team of Leiber & Stoller virtually ruled the R&B and pop charts. After leaving the employ of Atlantic Records, where they produced, and often wrote, many classic recordings by The Drifters and Ben E. King, they produced a remarkable series of records for United Artists' record wing. [This allowed Jay & the Americans to record their vocals on the original backing tracks produced by Leiber and Stoller for the Drifters.] VINYL Condition : VG+(Surface Scratches, Surface Wear). This appeal involves challenges to a modified preliminary injunction entered by the district court on remand from a prior appeal, A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 (9th Cir. Leiber and Stoller continued producing their sessions, which included the rural (unusual for them) Leiber-Artie Butler song "Down Home Girl" (originally recorded by Alvin Robinson in 1964 for L&S's Blue Cat label, then by The Rolling Stones shortly afterward). ARTIST: Leiber & Stoller. They signed a deal with Atlantic Records that called for them to provide material and produce records. Personnel unknown. Jerry wrote the lyrics; Mike wrote the music. Ended: 14 … Tekst: Jerry Leiber - Mike Stoller / Låtskrivere: Jerry Leiber - Mike Stoller. (ACE Records) 24 tracks The Leiber and Stoller story continues in style! Up until those dark days we were recording all 4-track. Buy Hound Dog : The Leiber and Stoller Autobiography (Paperback) at Walmart.com At the time, this was a unique deal, and it made Leiber & Stoller … Started working at Atlantic Records Wrote Hound Dog Wrote for the Coasters and Drifters Jerry Leiber Mike Stoller. In 1953, Leiber and Stoller formed their own label, Spark, which released classics like The Robins’ Riot in Cell Block #9. Leiber-Stoller had left Atco/Atlantic in 1963, and the hits quickly dried up, but the vocal quartet renewed their collaboration with the team in late 1966, recording for the CBS subsidiary Date Records. The Coasters were formed on October 12, 1955 when only two of The Robins were willing to go to Atlantic Records, those two were dubbed The Coasters because they went from West to East coast. In addition to the Coasters, they wrote and produced songs for LaVern Baker, Ruth Brown, Clyde McPhatter, Ben E. King, and the Drifters. Leiber moved to Los Angeles from his hometown of Baltimore in 1945, and became hooked on R&B via radio exposure while part-timing as a busboy at a Filipino restaurant. (0) 2004. Leiber and Stoller, American songwriters and record producers. Mike Stoller Net Worth: Mike Stoller is an American songwriter and producer who has a net worth of $200 million. In 1955, Atlantic signed Leiber and Stoller to the first independent production deal, forever changing the course of the record industry. They formed Spark Records in 1953 with their mentor, Lester Sill. At Atlantic, they revitalized the careers of the Drifters and wrote a number of hits for The Coasters, a spin-off of The Robins. This, in effect, made them the first independent record producers. Leiber- Stoller Big Bang Yakety Yak LP Atlantic Records 8047 NM US Pressing. ... Leiber and Stoller… producer for Atlantic; then upper management. Blues and rock & roll represent the early years of Leiber and Stoller’s songwriting. Bad girls of rock Be my baby Darlene Love. The Premier Atlantic Record Family of Labels. Leiber and Stoller’s phenomenal success in the late 1950s and early 1960s as both songwriters and producers gave the pair the freedom to do whatever they wanted; when they got bored with one activity, they went on to the next. Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. Jerry Leiber, (Jerome Leiber), American songwriter and record producer (born April 25, 1933, Baltimore, Md.—died Aug. 22, 2011, Los Angeles, Calif.), wrote the lyrics for many enduring songs of the 1950s and ’60s.He and partner Mike Stoller (who created the tunes) worked primarily for Atlantic Records and were perhaps the most successful writers and producers of the 1950s. Sounds White Young Blood Searchin' 3 minute songs. 9 and Ruth Brown's 1957 perky pop crossover, Lucky Lips. Atlantic Records executives, Ahmet Ertegun and Jerry Wexler among them, were impressed, and in 1955 signed Leiber and Stoller to the first independent production deal, forever changing the course of production in the record industry. They leave behind a trove of classic recordings. But their catalog was so rich that it … King, Leiber, and Stoller created magic that day in the Atlantic Records studio and made a song that can never be forgotten. Through the Coasters Leiber-Stoller launched some of the most entertaining songs of the ´50s. Atlantic Records. Atlantic’s Atco records were the lighter pop side of the great independent label’s catalog in the beginning with releases by the Coasters and Bobby Darin, but over the life of the label (1957 through to the end in 1984) the diversity of artists musical outpouring was simply astounding and typical of label founder Ahmet Ertegun (and brother Neshui). Barcode and Other Identifiers. Leiber & Stoller had already piled up impressive credits as songwriters with the Big Mama Thornton hit "Hound Dog," and in mid-1954 Nesuhi Ertegun, the co-founder of Atlantic Records with his brother Ahmet Ertegun, approached them about licensing "Smokey Joe's Cafe" for release on Atlantic… Leiber and Stoller left Atlantic in 1963 to form their own label, Red Bird. That song was sufficiently successful that Atlantic Records offered Leiber & Stoller a deal whereby the pair could produce songs for Atlantic, but were also able to make recordings for other labels. Atlantic Records Rock and Roll Stoller, Mike Songwriting Leiber, Jerry Genres Documentary Topics Music Creators Deane, Elizabeth (Series Producer) Contributors Leiber, Jerry (Interviewee) Stoller, Mike (Interviewee) Publication Information Funded by a grant from the GRAMMY Foundation®. Jerome Leiber (April 25, 1933 – August 22, 2011) and Mike Stoller (born March 13, 1933) met as teenagers in Los Angeles in 1950, found that they were both fans of Blues and Rhythm & Blues, and started writing songs together. Here is some of Wayne Robins’ writing in a Google Book: “A Brief History of Rock – Off The Record”… Young Jerry Leiber and Mike Stoller began hanging out in black L.A.’s bustling Central Avenue jazz and R&B clubs, soaking up music, atmosphere, and attitude. After writing songs for a few Elvis Presley movies, they looked for something more challenging, and started producing more and more songs for Atlantic and other labels, including They came over in a big deal that Atlantic struck with songwriter/producers Jerry Leiber and Mike Stoller. The label was later bought by Atlantic Records, which hired Leiber and Stoller in an innovative deal that allowed them to produce for other labels. The Robins were a Los Angeles–based rhythm-and-blues group that included Carl Gardner and Bobby Nunn. Leiber and Stoller wrote "Kansas City," which was sung by which artist? Memphis record label and studio; Atlantic Records contracts w/these guys. The songwriting team of Jerry Leiber and Mike Stoller started Spark Records and in 1955 produced "Smokey Joe's Cafe" for the Robins (their sixth single with Leiber and Stoller). Leiber and Stoller wrote and produced "Jailhouse Rock" for Elvis Presley. View Notes - Chapter 8 from INART 116 at Pennsylvania State University. Stax Records. Leiber and Stoller write it all down. Free 2-day shipping. Ernie Hayes, Keyboards - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Carole King, Composer, Keyboards, Writer - Gerry Goffin, Composer, Writer - The Drifters, MainArtist - George Duvivier, Upright Bass - Jimmy Cleveland, Trombone - Jimmy Nottingham, Trumpet - Bob Bushnell, Guitar - George Devens, Percussion - Charlie Thomas, Vocals - Rudy Lewis, Vocals - … Next day, I read Bill Millar's account of Leiber and Stoller's deal with Atlantic Records in New York, when they wound up their Los Angeles label Spark and started recording for Atlantic. Marketed by Rhino Entertainment, A Warner Music Group Company 22-04-2016 The Complete Atco/Atlantic Singles, Vol. Napster, Inc., Defendant-appellant.jerry Leiber, Individually and Doing Business As, Jerry Leiber Music; Mike Stoller and Frank Music Corp., on Behalf of Themselves and All Others Similarly Situated, Plaintiffs-appellees, v. Napster, Inc., Defendant-appellant, 239 F.3d 1004 (9th Cir. In 1950 a couple of rhythm and blues loving teenagers named Jerry Leiber and Mike Stoller met for the first time. Matrix / Runout (Side 1, Etched): A-12721-A; In 1964 Leiber and Stoller approached Jerry WExler and propsed a merger with Atlantic. 2001) Annotate this Case WikiMatrix Denne afgørelse er rettet til Leiber GmbH, Hafenstraße 24, 49565 Bramsche, Tyskland. Jerry Leiber and his songwriting partner, Mike Stoller, created a songbook that infused the rock 'n' roll scene of the 1950s and early '60s with energy and humor. This appeal involves challenges to a modified preliminary injunction entered by the district court on remand from a prior appeal, A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 (9th Cir. Mike Stoller and Jerry Leiber "Jerry Leiber and Mike Stoller have written some of the most spirited and enduring rock and roll songs: "Hound Dog" (originally cut by Big Mama Thornton in 1953 and covered by Elvis Presley three years later), "Love Potion No. Amanda Rodgers is a writer and indexer and is the co-creator and co-host of popular music podcast Discord & Rhyme (https://discordpod.com). Features rare clips, performances, and studios sessions of Atlantic recording artists Ace. Written-By – Jerry Leiber, Phil Spector. Jerry and Mike became the King’s favorite songwriters, … The songwriting team of Jerry Leiber and Mike Stoller started Spark Records and in 1955 produced "Smokey Joe's Cafe" for the Robins (their sixth single with Leiber and Stoller). Red Bird Records was a record label founded by American pop music songwriters Jerry Leiber, Mike Stoller, and George Goldner in 1964. Link to The Ahmet Ertegun DVD page On June 12th 2007, Rhino released American Masters Atlantic Records: The House That Ahmet Built on DVD. LABEL: Atlantic. Jerry Lieber and Mike Stoller shaped the rock and roll era - this is their story in their own words. Took Leiber and Stoller ideas Little Symphonies for kids The wall of sound. He produced Gene Pitney's "Every Breathe I Take," Curtis Lee's "Pretty Little Angel Eyes," and the Paris Sisters "I Love How You Love Me". Wilbert Harrison. Born in Belle Harbor, Long Island, Stoller's mother had been an actress and a member of the chorus in Gershwin's +Funny Face. They came over in a big deal that Atlantic struck with songwriter/producers Jerry Leiber and Mike Stoller. Introduction When teenagers discovered rhythm & blues records in the early … Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. 1966 waxed SOUL PAD b/w DOWN HOME GIRL. As composers, they soon ceased writing hits. ... Leiber and Stoller… Records), on which the Robins recorded. delivery of a powerful expression of love all contribute to the magnificent whole. Leiber and Stoller began to enjoy a series of West Coast R & B hits, es-pecially with the Robins, but they were not successful in getting these records distributed nationally, a perennial problem for a small label in those days. --- Atlantic's Jerry Wexler called it "an exercise in cacophony"! Stoller had graduated from Belmont High School. In 1953 Leiber and Stoller formed Spark Records with their mentor, Lester Sill. Photos not available for this variation. The Coasters signed with Columbia Records' Date label in 1966, reuniting with Leiber and Stoller (who had parted ways with Atlantic Records in 1963), but never regained their former fame. — Peter Stoller Spark Records was a record label started by Jerry Leiber and Mike Stoller around 1954 in Los Angeles, California. The group left Atlantic/Atco in 1966 and signed with Columbia subsidiary Date Records. In 1953 Leiber and Stoller formed Spark Records with their mentor, Lester Sill. Amanda Rodgers is a writer and indexer and is the co-creator and co-host of popular music podcast Discord & Rhyme (https://discordpod.com). The record was popular enough for Atlantic Records to offer Leiber and Stoller an independent production contract to produce the Robins for Atlantic. This band eventually morphed into the . Atlantic and Leiber-Stoller came together with this new kind of deal: Leiber and Stoller would make records for Atlantic to sell, and Atlantic would pay Leiber and Stoller a royalty. By the decade's end he was working at a record store and writing blues lyrics on the side. (ACE Records) 24 tracks The Leiber and Stoller story continues in style! By this time he was also a freelance producer and A&R for Atlantic Records as well as an independent producer. The songwriting team of Jerry Leiber and Mike Stoller started Spark Records and in 1955 produced "Smokey Joe's Cafe" for the Robins (their sixth single with Leiber and Stoller). The songwriting team of Jerry Leiber and Mike Stoller started Spark Records and in 1955 produced "Smokey Joe's Cafe" for the Robins (their sixth single with Leiber and Stoller). In the early 1960s, Phil Spector served an apprenticeship of sorts with Leiber and Stoller in New York City, developing his record producer's craft while assisting and playing guitar on their sessions, including "On Broadway." When they closed Spark Records, the strength of this song led to Leiber and Stoller's next big contract at Atlantic Records. Booker T and the MGs. King, Leiber, and Stoller created magic that day in the Atlantic Records studio and made a song that can never be forgotten. Jerry Leiber, (Jerome Leiber), American songwriter and record producer (born April 25, 1933, Baltimore, Md.—died Aug. 22, 2011, Los Angeles, Calif.), wrote the lyrics for many enduring songs of the 1950s and ’60s. Unfortunately, only two members of the group were willing to make the jump to Atlantic, so Leiber and Stoller promptly replaced them and then went ahead and sealed the deal. Heady times, these were, as Leiber and Stoller's twin star soared high in the R&B and pop firmament. Atlantic’s Atco records were the lighter pop side of the great independent label’s catalog in the beginning with releases by the Coasters and Bobby Darin, but over the life of the label (1957 through to the end in 1984) the diversity of artists musical outpouring was simply astounding and typical of label founder Ahmet Ertegun (and brother Neshui). Other articles where Mike Stoller is discussed: Leiber and Stoller: …2011, Los Angeles, California) and Mike Stoller (in full Michael Stoller; b. In late 1961, Spector returned to New York and with Lester Sill formed Philles Records.
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